"Echo". Light installation by Karolina Hałatek
"Echo" installation is an invitation to a somaesthetic experience in a luminous, immersive structure. Its open form allows visitors to enter the installation. They can pause and observe the relationship between their body and the space. The shift in perspective — from an external, object-oriented point of view to an inward gaze — creates a new dimension, a new reality in which the viewer becomes the central point.
- From May, 8 2025 (Thursday)
- The main hall
In the context of working with trauma, the body's memory plays a crucial role. As Gabor Maté notes:
"People who have experienced trauma often disconnect from their bodies because they are in pain. And yet, true healing requires a reconnection with the body".
Paying attention to psychosomatic sensations and recognizing them as important — central — can be a powerful therapeutic tool for accessing deep memories and areas in need of healing. Following Rumi's reasoning,
"the wound is the place through which the light enters you".
"Echo" installation evokes a heightened awareness of presence and, like the quantum entanglement of photons, points to a parallel version of reality with infinite potential.
Karolina Hałatek studied Design for Performance at the University of the Arts London, Great Britain, Fine Arts at the Universität der Künste Berlin, Germany and Media Art at the Academy of Fine Arts in Warsaw, Poland. During her studies in Berlin, she participated in workshops at the Institut für Raumexperimente run by Olafur Eliasson. Using light as the central medium in her work, Karolina Halatek creates experiential site-specific spaces that incorporate visual, architectural and sculptural elements. Seeing her work primarily as a catalyst for experience, Karolina creates installations that have immersive characteristics, often the result of collaborations with quantum physicists, founders of the superstring theory (Leonard Susskind, Roger Penrose, Carlo Rovelli) and precision mechanical engineers. Karolina is interested in experiences that extend to the edge of human knowledge, seeking a visual language to evoke feelings and emotions of virtually unknown phenomena.
The installation is part of the event "Survival. Encounters Around Trauma", an accompanying program to the exhibition "1945. Not the End, Not the Beginning".
Co-production: